“There are things I can do with mono-type printing, that I could never recreate with painting or drawing. The negative and positive effects I obtain with my hand-cut stencils aren’t possible with direct application. What draws me to printmaking are the ephemeral surprises and chance discoveries I find when lifting paper from plate. My prints compose me as much as I compose them.”

…The passage of time is an elemental concept in my newer work that is represented by movement through dark layers that obscure previously hidden marks…